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Circle Casting and Sacred Space
Written and compiled by George Knowles
Building a circle and altar / Preparing the circle and self / The Magick Circle
Building a Circle and Altar
The
origins of the magic circle lie in ancient history, forms of it were used in old
Babylonian magic and many of the Ceremonial Magicians of the Middle Ages and
Renaissance used them. In
pre-Christian Europe most Pagan religious festivals took place in circles,
normally outdoors under the sky and stars at night.
There they celebrated the Earth’s fertility and worshiped the Sun, Moon and Deities. But with the
rise of Christianity and the newly powerful church, most of these pagan rites
were outlawed and the oncoming persecution of witches forced the practice
underground. The pagans became
secretive about their rites and practiced them outside only after dark, lit by
fires and torches in far-out the way places.
Others brought the practice indoors away from prying eyes.
Stone circles such as Stonehenge and other megalithic monuments, sacred
groves and revered springs across Europe, are remnants of those ancient days. There
are two main types of magic circles used. Those
formed by ceremonial magicians are designed to protect the magician from the
forces that he or she raises. While
those formed by witches and wiccans, are mainly used to create sacred space in
which to meet and commune with the Goddess and God. With today’s more liberal view on religion, pagan rituals
are once again being practiced in the open air, but these tend to be mass
gatherings in specially selected areas. Most
people, particularly those living in over populated towns and cities practice
at home by transforming their living rooms or bedrooms into places of power and
worship. The
magic circle is an area of non-physical space created and constructed of
personal power (See - "What is Magick").
It’s a magical environment in which the deities are welcomed and celebrated,
and where rituals and magical workings take place.
In a room filled with steel, plastic and the trappings of our
technological age, as well as everyday living associations good and bad, the
need for a private sacred space is envisaged.
The magic circle defines the ritual working area and holds in our personal
power while shutting out distracting energies.
In essence it creates the proper working atmosphere for the ritual. Constructed of personal power which is raised, felt and
visualized as streaming out from the body through the magic knife (athame), a
sphere of energy is created which encompasses the entire working area, above,
below and all around it. This
energy sphere is what we consider to be the magic circle. The
Physical Circle:
To
aid visualization (See - "What is Magic")
when creating a magic circle, most witches mark out a physical circle on the
ground. Wherever you decide to form
a circle, be it in the living room, bedroom or some other place, clear
sufficient space to mark out a rough circle on the floor.
You can do this using a length of cord laid on the ground in a roughly
circular shape, or lightly draw a circle using chalk.
If you don’t want to soil your nice living room carpet, use an old sheet
and draw your circle on it, it can then be rolled up after you have finished and
re-used on the next occasion. Personally
I use a collection of stones and pebbles to outline a circle; these can easily
be picked up again once the ritual is over.
Other things to use might be flowers (ideal for spring or summer time
rites), or pine needles (winter rites). Some
people use salt, earth or crystals to outline their circles. Use objects that spark your imagination and that are in tune
with the ritual you are performing. Circles
are usually nine feet in diameter but any size comfortable enough to work in is
fine. Depending on your preference,
the cardinal points can be marked by candles, Brown for North, Yellow for East,
Red for South and Blue for West (See - "Candles").
The working tools (See - "Tools")
can also be assigned to the four points, particularly if you don’t use an
altar. Place the pentacle, a bowl
of salt or earth to the North representing the elements of Earth.
The censer containing smoldering incense is placed in the East to
represent the elements of Air (Fresh flowers or stick incense can also be used).
To the South a burning red candle often represents the element of Fire (A
lighted oil lamp or a piece of lava rock would also suffice here). A cup or bowl of water is placed in the West representing the
elements of Water, the last of the four elements. The
Altar:
Once
your physical circle has been constructed, you will next need to construct an
altar. The altar is normally
positioned in the center, leaving sufficient room to walk or dance around it
while remaining inside the circle. Most
people use a table of whatever type they have available, but if you are
adventurous and desire to make a purpose built one, it can be made from any
substance, though wood is normally used. Many
purpose built altars you can buy are made from Willow which is sacred to the
Goddess. Depending on your
preference it can be round or square. A
round altar is symbolic of the Goddess and spirituality, while a square one
represents the four elements. The
altar doesn’t have to be a table at all, particularly if you are practicing
outside; tables are bulky and cumbersome things to carry around.
It can be nothing more than an area of ground covered with a cloth upon
which to lay out you tools. A
cardboard box covered with a cloth would also suffice, as would an old log or a
large flat rock or stone. Look
around and use your imagination, make use of whatever is available, the more
natural and nature based your material the better.
Generally the altar is place in the center of the circle facing North,
its association with the elements of earth makes this the direction of power,
ideal if during the rite you intend to do some magical workings.
Some place the altar facing East where the Sun and Moon rises, ideal if
all you intend to do is commune with the God and Goddess. While
its not absolutely necessary, many witches dress their altars with an altar
cloth. These can be quite ornate or
as plain as you like, but they do enhance its general appearance.
Altar cloths can be purpose bought if you don’t mind the expense, or
you could make your own. A simple
plain sheet or tablecloth folded to size and draped over or around the altar
would suffice for this. If you
like, you could even personalize it with runic signs and symbols.
Remember also to consider the colour of your altar cloth, and its
correspondences with your rite or workings (See - "Colours"). The
working tools can now be placed and arranged on the altar. The left side of the altar is normally dedicated to the
Goddess and tools associated with her are placed here.
These are generally: the
cup, pentacle, bell, crystal or wand and the cauldron. It’s also nice if you have one, to place an image or statue
of the Goddess here, but if you haven’t a green, silver or white candle can be
substituted. Also if you have one,
a broom can be placed against the left side of the altar.
The right side of the altar is reserved for the God, and his tools of
association. These are: the censer,
athame (black handled knife) and bolline (white handled knife).
Your Book of Shadows might also be placed here.
If you intend to work magic in your circle, be sure to have all your
necessary ingredients and equipment within it before you start (i.e. matches,
candles, herbs and oils, pen and paper etc), these can be placed on or beneath
the altar as you feel fit. The altar and the circle it stands in is your own personal construction, and there are no hard and fast rules as to how they should be constructed or arranged. Use you imagination and do as you feel appropriate for the rite or work you are conducting. If it pleases you, it will work for you to your own advantage and satisfaction. You are now ready to begin preparing the circle for use.
Building a circle and altar / Preparing the circle and self / The Magick Circle
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Wicca & WitchcraftWicca/Witchcraft / What is Wicca / What is Magick Traditional Writings:Chants, Poems and Blessings:Wiccan Rede / Charge of the Goddess / Charge of the God / The Three-Fold Law (includes The Law of Power and The Four Powers of the Magus) / The Witches Chant / The Witches Creed / Descent of the Goddess / Drawing Down the Moon / The Great Rite Invocation / Invocation of the Horned God / The 13 Principles of Wiccan Belief Correspondence Tables:Incense / Candles / Colours / Magickal Days / Stones and Gems / Elements and Elementals Other Things of Interest:Traditions Part 1 - Alexandrian Wicca / Aquarian Tabernacle Church (ATC) / Ár Ndraíocht Féin (ADF) / Blue Star Wicca / British Traditional (Druidic Witchcraft) / Celtic Wicca / Ceremonial Magic / Chaos Magic / Church and School of Wicca / Circle Sanctuary / Covenant of the Goddess (COG) / Covenant of Unitarian Universalist Pagans (CUUPS) / Cyber Wicca / Dianic Wicca / Eclectic Wicca / Feri Wicca / Traditions Part 2 - Gardnerian Wicca / Georgian Tradition / Hereditary Witchcraft / Hermetic Order of the Golden Dawn (H.O.G.D.) / Kitchen Witch (Hedge Witch) / Minoan Brotherhood and Minoan Sisterhood Tradition / Nordic Paganism / Pagan Federation / Pectic-Wita / Seax-Wica / Shamanism / Solitary / Strega / Sylvan Tradition / Vodoun or Voodoo / Witches League of Public Awareness (WLPA) / Gods and Goddesses (Greek Mythology) / Esbats & Full Moons / Links to Personal Friends & Resources / Wicca/Witchcraft Resources / What's a spell? / Circle Casting and Sacred Space / Pentagram - Pentacle / Marks of a Witch / The Witches Power / The Witches Hat / An esoteric guide to visiting London / Satanism / Pow-wow / The Unitarian Universalist Association / Numerology: Part 1 / Part 2 / Part 3 Sabbats in History and Mythology / Samhain (October 31st) / Yule (December 21st) / Imbolc (February 2nd) / Ostara (March 21st) / Beltane (April 30th) / Litha (June 21st) / Lughnasadh (August 1st) / Mabon (September 21st) Tools of a Witch / The Besom (Broom) / Poppets and Dolls / Pendulums / Animals in Witchcraft (The Witches Familiar) / Antelope / Owl / Fox / Frog and Toads / Serpent / Pig / Raven / Stag / Goat / Wolf / Horse / Bats / Mouse / Cat / Spider / Crow / Lion / Robin Redbreast / Squirrel / Kangaroo / Phoenix / Sheep / Rabbits and Hares In Worship of Trees - Myths, Lore and the Celtic Tree Calendar. For descriptions and correspondences of the thirteen sacred trees of Wicca/Witchcraft see the following: Birch / Rowan / Ash / Alder / Willow / Hawthorn / Oak / Holly / Hazel / Vine / Ivy / Reed / Elder. Also see: The Willow Tree (Folk Music)
Mystical Sacred Sites - Stonehenge / Glastonbury Tor / Malta - The Hypogeum of Hal Saflieni / Avebury / Cerne Abbas - The Chalk Giant / Ireland - Newgrange /
A history of the Malleus Maleficarum: includes: Pope Innocent VIII / The papal Bull / The Malleus Maleficarum / An extract from the Malleus Maleficarum / The letter of approbation / Johann Nider’s Formicarius / Jacob Sprenger / Heinrich Kramer / Stefano Infessura / Montague Summers / The Waldenses / The Albigenses / The Hussites.
Contributing Author:The Magic of Rocks and Stones( by Patricia Jean Martin)Stones - History, Myths and Lore / Amber / Amethyst / Aquamarine / Aragonite / Aventurine / Black Tourmaline / Bloodstone / Calcite / Carnelian / Celestite / Citrine / Fluorite / Garnet / Hematite / Labradorite / Lapis Lazuli / Malachite / Moonstone / Obsidian / Opal / Pyrite / Quartz (Rock Crystal) / Rose Quartz / Ruby / Selenite / Seraphinite / Smoky Quartz / Sodalite / Sunstone / Tree Agate / Zebra Marble
Wisdom:Knowledge vs Wisdom by Ardriana Cahill / I Talk to the Trees / Awakening / The Witch in You Articles and Stories about Witchcraft:Murder by Witchcraft / The Fairy Witch of Clonmel / A Battleship, U-boat, and a Witch / The Troll-Tear (A story for Children) / Goody Hawkins - The Wise Goodwife / The Story of Jack-O-Lantern / The Murder of the Hammersmith Ghost / Josephine Gray (The Infamous Black Widow) / The Two Brothers - Light and Dark BiographiesWitches, Pagans and other associated People.Ancient, Past and PresentAbramelin the Mage / Agrippa / Aidan A. Kelly / Albertus Magnus “Albert the Great” / Aleister Crowley “The Great Beast” / Alex Sanders "the King of the Witches” / Alison Harlow / Anna Franklin / Anodea Judith / Anton Szandor LaVey / Arnold Crowther / Arthur Edward Waite / Austin Osman Spare / Biddy Early / Bridget Cleary / Carl Llewellyn Weschcke / Cecil Hugh Williamson / Charles Godfrey Leland / Charles Walton / Dion Fortune / Dorothy Morrison / Doreen Valiente / Edward Fitch / Eleanor Ray Bone “Matriarch of British Witchcraft” / Dr. John Dee and Edward Kelly / Dr. Leo Louis Martello / Eliphas Levi / Fiona Horne / Friedrich von Spee / Francis Barrett / Gerald B. Gardner / Gavin and Yvonne Frost and the School and Church of Wicca / Gwydion Pendderwen / Hans Holzer / Helen Duncan / Herman Slater "Horrible Herman" / Israel Regardie / James "Cunning" Murrell / Janet Farrar & Gavin Bone / Jessie Wicker Bell “Lady Sheba” / John George Hohman / John Gerard / John Michael Greer / John Score / Johannes Junius the Burgomaster of Bamberg / Karl von Eckartshausen / Laurie Cabot "the Official Witch of Salem" / Margaret Alice Murray / Margot Adler / Marie Laveau the " Voodoo Queen of New Orleans" / Matthew Hopkins “The Witch-Finder General” / Monique Wilson the “Queen of the Witches” / Montague Summers / Nicholas Culpeper / Nicholas Remy / M. R. Sellers / Oberon and Morning Glory Zell-Ravenheart / Old Dorothy Clutterbuck / Old George Pickingill / Paddy Slade / Pamela Colman-Smith / Paracelsus / Patricia Crowther / Patricia “Trish” Telesco / Philip Emmons Isaac Bonewits / Philip Heselton / Raymond Buckland / Reginald Scot / Robert Cochrane / Robert ‘von Ranke’ Graves and "The White Goddess" / Sabrina - The Ink Witch / Rosaleen Norton “The Witch of Kings Cross” / Ross Nichols and The Order of Bards, Ovates & Druids / Scott Cunningham / Sir Francis Dashwood / Sir James George Frazer / S.L. MacGregor Mathers and the “Hermetic Order of the Golden Dawn” / Stewart Farrar / Sybil Leek / Ted Andrews / The Mather Family - includes: Richard Mather, Increase Mather, Cotton Mather / Thomas Ady / Victor Henry Anderson / Vivianne Crowley / Walter Brown Gibson / William Butler Yeats / Zsuzsanna Budapest Old Masters of AcademiaPliny the Elder / Hesiod / Pythagoras
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